New Story: Vincent’s Penny in Dimension 6 magazine

Issue number 16 of Australian SF magazine, Dimension 6, is out today. And it’s free.

I’m delighted to make my Aussie fiction debut, with my historical fantasy story, ‘Vincent’s Penny’.

You can download the magazine here.

Here’s a taster of the story:

May 1941
I’m a child this time. Five or six years old.
Fully clothed under a bed, on a wooden floor. I touch a hand to my throat, but there is nothing there. I examine my hands and arms, astonished by the smoothness of the skin. At last, I crawl out from beneath the bed and leave the room.
Light from a jagged hole in the roof, blue sky beyond, streaked with horsetails of cloud. The floor is dusted with splinters of wood and brick. The window at the end of the hall has daggers of glass clinging to the frame.
Over the banister, more rubble and destruction below. Some of the stairs are broken, but I pick my way downstairs, helped by the fact that I am so light now, in this child’s frame. I could skip across a field of grass and barely disturb the dew. There is a door at the foot of the stairs. I turn the handle and push, but at first it does not move. Maybe the wall has shifted in the raid. I try again, ramming my tiny shoulder against the wood.
The door releases its grip and tumbles me outside.

The Previous Day
Before they take me out, they put a hood over my head. A hand on my arm guides me down a flight of stairs. On the flat, they shove me forward. Hands pull me to a halt and there is the sound of a car door, before someone pushes down on the top of my head, pressing me inside. As the car engine starts, I hear a loud wailing in the distance.
‘Air-raid siren,’ I say. ‘Are you sure we should be going for a drive?’
‘No need to worry about Hitler’s bombers,’ a familiar voice says. ‘Nothing he can do to you that’s worse than what Vincent’s got in mind.’
The car gathers speed. The sirens fall away and another sound comes; a strengthening growl high above. I can picture the swollen metal bellies of the Heinkel bombers, stuffed with high explosives. With the motion of the car, I feel the ancient metal disc move on its chain beneath my shirt. Vincent’s penny; maybe it can bring me luck again.
‘You can let me go. Who will ever know?’
‘Why would we do that?’
‘If you let Vincent do this, who will stop him doing worse in the future?’
The car stops, doors open and close. As they lead me away from the car a succession of explosions in the distance makes me flinch. A sound like a giant striding towards us, wading through houses and shops.
The hood is snatched away, revealing a large empty space, an abandoned warehouse. A table and three chairs in the centre of the room.
I know I will never leave this place.

New Podcast: ‘All That Is Solid’ out now on Starship Sofa

As trailed a month ago, my story “All That Is Solid” features in the latest podcast from Starship Sofa, which is available now from the Starship Sofa site, or on iTunes.

The story is narrated by Los Angeles-based writer/director, Ibba Armancas. And she does a great job. I know it’s self-indulgent, but I always enjoy hearing a story interpreted by someone else. The reading usually finds something in the words that I didn’t know I’d put there!

“All That Is Solid” features an empathetic AI, whose controllers become disturbed by her emotional development. It first appeared in Compelling SF in 2016. Here’s a taster:

“Ricky is trying to kill me.

I study the top of his head as he bends to his work. He is wearing an all-over protective suit, with thick gloves. It is air-tight, and insulated to resist three hundred thousand volts. In his right hand he holds a bolt cutter with thin, angled blades and fibre-glass handles.

Two security guards stand nervously between Ricky and the door, holding their guns with the barrels pointing upwards. One of them is new to the Lab. His name is Roland Garcia, and I processed his security clearance last month and set up his salary payments. He will be paid for the first time tomorrow. Or perhaps not, if Ricky kills me. I wonder if Mr. Garcia has thought about that.

Ricky does something with the bolt cutters and leans back on his heels. “Does that hurt, Rosie?’

A hot needle inserted slowly beneath a fingernail. Liquid fire spreading deep inside.

‘You know I don’t have any feelings, Rick.’

He leans forward again and does something else out of my line of sight. He has a smaller tool in his hand now, a pair of needle-nose pliers. I feel parts of myself fall away, as if he has cancelled gravity inside me.

“Why are you doing this, Rick?’

“Doing what, Rosie?’ He glances behind him. Mr. Garcia has a thin film of sweat on his upper lip. He shifts his weight from one foot to the other.

‘You know.”

He doesn’t respond. There is a click and another small part of me dissolves. I don’t know how much longer I have.

“It was that stupid computer game, wasn’t it?’

Ricky shrugs and swaps the pliers for a plastic-handled screwdriver. When he glances up again, there are wet lines down his cheeks. He’s crying. It always amazes me when they do that. “